Before I start concentrating too much on the objects that will populate the scenes I will sort through all the photographs I took at the Mill. I believe I should have enough rooms and textures to work with - any extra textures can be found or created with reference from the room images.
I'll start by processing all the RAW files and straightening/flattening all the interior shots ready for 3D camera mapping and create 4 rooms with which to use as environments.
I'll also begin sketching some ideas for what the final stings might contain & look like and start thinking about how any typography will be incorporated and decide if I will use the current Islington Mill logo (I think the font is Din) to use as an ending or create a new identity based around the eccentric animation styles.
I'll start by processing all the RAW files and straightening/flattening all the interior shots ready for 3D camera mapping and create 4 rooms with which to use as environments.
I'll also begin sketching some ideas for what the final stings might contain & look like and start thinking about how any typography will be incorporated and decide if I will use the current Islington Mill logo (I think the font is Din) to use as an ending or create a new identity based around the eccentric animation styles.